Tuesday, June 13, 2006

The book group

Three or four years ago, I set up a book group along with a few friends in the office where I worked. The premise was simple - each of us would read the same book over the course of about a month, and then we would get together to discuss this book over a few pints. Most of the sessions took place in O’Neill’s pub on Pearse St. We only read fiction: mostly novels, and one or two short stories. Each month, somebody would suggest a book, on the basis that it was reasonably short to keep things accessible. War and Peace or The Brothers Karamazov would have quickly killed off the idea because of their length.

O'Neill's of Pearse St.



The book group was a great success. There was a hard core of people who read each book, and at one meeting there were about twelve people present. We even held a Kris Kindle of books at Christmas. It soon became apparent at the gatherings that the atmosphere was informal and social. I used to refer to it as ‘going for pints with a theme’, because that was really all we were doing. At each meeting we would go around the table, and each person would give his or her first impressions of the book to be discussed. This then developed into the usual pub discussion, but with a little more focus and energy. Everybody was familiar with the material being discussed, and had given it a little thought before the meeting, which made for a fascinating discussion. It never ceased to amaze me how somebody else’s perspective could open up a whole new way of looking at a book with which I thought I was pretty familiar.

We went through several books over the course of the group’s existence. Of course, as soon as I try to remember all of the books we read, my mind goes blank. But after some thought I have come up with a list of just some of the books we discussed:

H G Wells - The Country of the Blind - USA
Patrick Suskind - Perfume - Germany
Margaret Atwood - Surfacing - Canada
James Joyce - The Dead - Ireland
Evelyn Waugh - Vile Bodies - UK
Paulo Coehlo - The Alchemist - Brazil
Jann Martel - The Life of Pi - author born in Spain but has national links all over the place

As you can see, there was a range of authors of different nationalities, eras and styles. This book group was one of the most stimulating projects I have ever been involved in.

Booker prize-winner The Life of Pi



Around this time, there were also a couple of poetry nights organised by people in the office. At first, this may sound like a totally bizarre, pretentious and unappealing idea. But the concept worked incredibly well. The first poetry night took place in Maguire’s pub on Baggot St. There were a group of about 15 to 20 people in attendence, and we had a large alcove entirely to ourselves. We brought along little books of poetry, and poems printed out from the internet, and then sat drinking for an hour or so before the poetry began. A poet named Emer Davis, who had organised the event, stood up and read a couple of poems of her own, and then she was followed by other members of the crowd. In the end, everybody present had read out at least one poem, however reluctant they had been at the outset. I read a few verses from Edgar Allen Poe’s The Raven. Blake was also in attendance:

To see a World in a Grain of Sand
And a Heaven in a Wild Flower,
Hold Infinity in the palm of your hand
And Eternity in an hour.

By the end of the night, a guitar had appeared, and the poems had turned into songs. In true democratic fashion, the guitar was passed around the room, and we heard musical poetry from Dylan and others, as well as a few originals. I heard a couple of really impressive Limericks as well (and one or two obscene ones).

There was a young lady from Bright
Who could travel faster than light
She went off one day
In a relative way
And arrived back the previous night.

A second poetry reading was held months later in honour of Anti-Racism week, which included Refugee Blues by W H Auden and a few protest songs by Phil Ochs. It might seem like an unusual idea, but it makes for a great fundraiser as well as a great night out.

A Tale of Two Cities



The reason I’m recalling these heady days of boozy literature appreciation is that the old book group is now in the process of being resurrected. We have yet to have a proper meeting, as it is difficult to drag together a critical mass of people now that the original group have been dispersed to different offices and locations. We met last week to discuss Pulitzer prize-winner Jhumpa Lahiri’s work of genius, The Namesake, but the discussion of this book was postponed due to cancellations and failures of email (long story). We might revisit this book in the future, but at the next gathering of the book group, which will take place in July, Charles Dickens’ classic A Tale of Two Cities has been chosen. All are welcome to join the group, so if you’re interested just drop a comment after this post and I’ll get in touch or put you on the mailing list.

Friday, June 02, 2006

Fattening Frogs? What?

The title Fattening Frogs for Snakes refers to a song by the great blues harmonica player, Sonny Boy Williamson II.


Sonny Boy Williamson II



Sonny Boy Williamson II was one of the key figures in the history of the blues. He was born Rice Miller, but stole the name Sonny Boy Williamson from another harp player of the time ('blues harp' or just plain 'harp'=blues slang term for harmonica). They are now known respectively as Sonny Boy Williamson I and II. It is a reasonably regular moniker, in a musical genre characterised by lots of strange names. Some of my favourite blues names off the top of my head include Pinetop Perkins, Blind Lemon Jefferson, Lightnin’ Slim and Taj Mahal (who I managed to see live with his Phantom Blues Band - brilliant stuff).

Like many other of the great blues icons, there is a certain amount of confusion about when Sonny Boy II was born. I have even heard that he lied about the year of his birth in order to get the drop on Sonny Boy I in his claim to the name. Sonny Boy II was from Mississippi, and was a virtuoso on the harp. It’s rumoured that he could play with no hands, by inserting the entire harmonica into his mouth or holding it between his top lip and his nose.

One thing that’s interesting about old-time blues lyrics is the way it seems to be the men that are persecuted rather than the women. Blues songs are populated by women who walk all over the long suffering bluesmen, going out late and not coming back home, spending all their man's money, and evicting them from their own homes in the freezing cold (see the Sonny Boy Williamson II track ‘Nine Below Zero’). A good example of this is Sonny Boy’s classic song, ‘Help Me’, which has become a harmonica standard, in which he pleads for help with the housework (seriously):

I may have to wash
I may have to sew
I may have to cook
I might mop the floor
But you help me babe
I can’t do it all by myself
You know if you don't help me darling
I'll find myself somebody else

I was in Bruxelles once when the Mary Stokes Band was playing, and I was very proud of myself when they agreed to play a request of ‘Help Me’. They had just rejected another couple of calls for requests, but I obviously fooled them into thinking I was a blues purist. Then they proceeded to blow me away with a great version of the song. They had the last laugh when I bought their CD.

The song title ‘Fattening Frogs for Snakes’ seemingly refers to an old American proverb about putting loads of energy into something and not reaping the benefits. If you spend ages fattening up a frog with lots of delicacies, and then a big snake slips into his cage and eats him, you’ve pretty much wasted loads of your time and effort. If I had a penny for every frog I lost this way...

My research on Google tells me that ‘Fattening Frogs For Snakes’ was used as the title of a book about the old blues musicians by a fellow called John Sinclair. He compares the years of musical craftsmanship of the Delta blues musicians to fattening frogs for snakes. According to his take on things, these (mostly African American) blues men and women spent years honing their craft, and then suddenly all these white musicians swooped in in the 60s and had huge success by appropriating blues music.

So, the fatted frog was eaten by the snake-like new wave of British musicians – people such as Eric Clapton, John Mayall, The Animals and The Rolling Stones. There’s no doubt that these guys are true fans of the blues, but they did make it big by ripping off the blues stylings of pioneers like Muddy Waters, Chuck Berry and Howlin’ Wolf. Lots of these guys died in misery and poverty (although there are plenty more like BB King who got plenty of recognition).

Anyway, that’s the source of my blog title - just in case it seemed a little esoteric…

More graffiti from indymedia

Indymedia is an independent news website, run on the basis of 'open publishing', whereby any reader of the site can comment on any news story, and even publish stories themselves (once they're within the editorial guidelines).











Periodically, a contributor called 'Noise Hacker' posts up a series of photos of graffiti on the site. The pictures are incredibly colourful, and shows that there is some very impressive artistic stuff out there. For my first posts in June, I decided to upload a few of these pictures. I'm not for a second suggesting that I've any links to any graf 'scene' - I just think they're some pretty cool photos.

There's plenty more where these came from: to find them, just search for Noise Hacker on indymedia.ie, like this:
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Graffiti from indymedia

Some graffiti images from www.indymedia.ie; hope you find them as groovy as I do:









I particularly like the last one as it's from Dolphin's Barn, where I got involved in a community gardening project.